
The main character is
Walter White (Bryan Cranston), a struggling high school chemistry
teacher who is diagnosed with inoperable lung cancer at the beginning of the
series. He turns to a life of crime, producing and selling crystal meth,
in order to secure his family's financial future before he dies, teaming with
his former student, Jesse Pinkman (Aaron Paul).
The show is
considerably one of the greatest television series of all time. In 2013,
it was also listed as the highest rated show of all time in the Guinness World
Records, and by the end of the first season, it was already among the
most-watched cable shows on American television, and the show received 116
awards and 192 nominations over the course of 5 years, including;
- 16 Primetime Emmy Awards
- 8 Satellite Awards
- 2 Golden Globes
- 2 Peabody Awards
- People’s Choice Award
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Walter White (left) pictured with Jesse Pinkman (right). |
Not only did Cranston keep me watching, but Aaron Paul's supporting role, Jesse Pinkman, was incredible to watch. Their on-screen chemistry was unlike anything I'd seen, and I knew that the show would prosper shortly after becoming hooked. Initially, the relationship between them was similar to a father-son relationship, both learning from each other, growing as individuals together. Mid-way through the second season, Jesse had become more aware of what they were doing, and how wrong it was but Walter was in far too deep to think about quitting the meth business. Jesse became tormented by the things he had experienced since going into partnership with Walter, and it was from here that the true nature of the characters was revealed to the viewers: both echoes of the men the once were, but so far from themselves that it was beyond redemption. Gilligan's writing of the two characters and exploring their relationship and how it had morphed and changed over the seasons kept the viewers hooked.
When watching the
show through, from start to finish, the character development of not only White
and Pinkman, but the supporting characters changed a great amount over the
seasons; Walter's decent into criminality and further distancing himself
from the man he once. It was only when re-watching the earliest episodes that I
saw the true extent to what had happened to his character and for that, I
think Vince Gilligan's writing was truly brilliant. In addition to
the brilliant characters, the script had to on par to achieve the anticipated
success.
The thing that
made Breaking Bad so different from anything I'd previously
seen was the story, as there were the events that occurred over the course
of a single episode, however they were but a smaller fragment of an even bigger
picture, and every episode added something new to the story. There was intense
action throughout episodes, and the tension was gripping from start to finish
which I feel attracted viewers and hooked them for the duration of the show's
run: the action built up rather quickly, and it was fairly easy to get lost in
the action of the show.
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The true extent of Walter's insanity revealed in 'Fly' (Season 3, Episode 10) |
However, there were
periods in which the action would go from high-intensity, face-paced action,
episode after episode to absolutely nothing: the action would completely die
down, leaving the audience in anguish, begging to know the next piece of the
puzzle. One notable instance of this would be the episode 'Fly': (Season 3
Episode 10) in the episodes building up to this, the action had just been
building up, higher and higher to a point where fans were expecting an intense
action and something epic and explosive to just whack them in the faces and
change their fundamental ideology forever. Despite their hopes, the episode was
slow and tenacious: the complete opposite of what was to be expected. The
episode consisted of Walter White, who by now was far from level-headed, wasted
an entire day attempting to catch a fly in his meth lab. The episode was
brilliantly written and is unarguably some of Cranston's best work; despite the lack of action, the episode did a huge amount in terms
of character development, as we witnessed the true extent to Walter's descent
into madness. I truly believe that character
development and gripping storylines are two fundamental aspects
of great television, and in order to prosper you cannot have one without the
other.
Breaking Bad isn't exactly limited to a specific demographic in the sense that the series was universally enjoyed by pretty much all that watched the show. Bringing a show similar to this to E4's demographic of 16-35 year olds would be a change from what they're used to but judging from the success of other original dramas (Skins, Misfits, Glue) I firmly believe that a new show like this would fit in rather well with the targeted demographic.
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